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the confrontation of the pavilion of Nazi Germany with that of the Soviet Union – both characterised by a stiff monumentalism – were in direct opposition to the aim of the exhibition
Artist: Unknown
Size: 32 x 44 inches
Artist: Cosl Frey (school of Julius Klinger)
new directions in Italian avant-garde design were marked by the opening of the Studio Boggeri in Milan
1900 French Art Nouveau Trade Card, Berlin (Framed) husband the confrontation of the pavilionDate: 1900 Size: card: 4. 25" x 3", frame: 11" x 9. 5" In the late 1800s and early 1900s companies often issued collector cards as a way of getting consumers to buy more product much like hockey or baseball cards in the 20th century. Cigarette companies, sewing machine companies, and in this case, a company that made soup bouillon cubes (Liebig) found new and novel subjects like faraway destinations (in this case, Berlin!) to entice consumers to buy
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US$ 25.99
